You don’t need to pigeon-hole yourself as a specific category of DJ, as being eclectic and able to adapt to any setting is a crucial part of growth in an artist’s career. Keep in mind, of course, that your responses to these questions may (and oftentimes probably should) change depending on the setting – and they will likely shift as you hone your skills. The whole idea of organizing playlists in advance is to allow a seamless and comfortable flow during a performance, while also giving you room to freestyle with track selection throughout your sets.
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Once you have a clear understanding of how you like to select tracks, mix, and build energy, it becomes easier to decide how to best organize your library in a way that lets you highlight your artistic expression.
Are you a DJ who loves it all and wants to play all the gigs?. Are you a DJ that likes to play vibey, groovy, and soulful music for more intimate venues?. Are you a DJ that provides high-energy sets and prefers the club/festival/rave setting?. Do you like to allow each track to stand alone, mixing outro to intro each time?. Do you like to double-drop, building two songs together then playing with the fader to create a live mashup?. Do you like to chop-and-cut, playing tracks in a rapid-fire approach?. Do you like to layer tracks that you’re mixing, essentially creating a new song in the process?. Do you play different genres depending on the event?. Do you stick to one genre all the time?. Are you an eclectic DJ who likes to traverse multiple genres in a set?. When I say style, there are a few different things that fall under this umbrella: genre, mixing, and energy. A crucial aspect of playlist curation is understanding your own style as a musician. I’ve done my best to make this as inclusive as possible – but it does require some work on your end. Writing a guide to organizing music can be hard when I have no idea what kind of DJs will be reading it. So, that leaves us to ask the question: how does the DJ manage all of this while still maintaining their authenticity in both style and artistry? It’s not an easy task, and it’s an artform that comes with time and practice – but at the end of the day, an artist’s ability to read the room and react as such is crucial as you grow in your career. out of key, vocal overlap, inconsistent phrasing, or improper beatmatching), or you weren’t paying attention to the crowd. Maybe it’s because you’ve chosen a song that doesn’t match the vibe of the dancefloor, you may have mixed two songs that clashed in some way (i.e. There are a variety of reasons this could happen. While this may be one of the worst feelings, it’s not always something to take personally either. Let’s be honest: it’s happened to the best of us, regardless of fanbase, experience level, or excitement. Many (if not all) of us have experienced that moment when we played a track and instantly lost the crowd’s attention or even cleared the dancefloor. The way we do this is through appropriate song selection, fluid mixing of tracks, and watching – then responding – to our audience. We have the power to bring the energy up, drop it down, or keep it steady – depending on what is needed at that time and place. Depending on your set time, the venue, the event’s theme and the other artists involved, the dancefloor energy may be different in any given scenario.Īs DJs, when it comes down to it: we are responsible for the flow of dancefloor energy. To have an understanding of the dancefloor, we need to know how to control the movement of energy. The most important place to start is with the reason so many of us become DJs: the dancefloor. 
So, what’s the trick? How do we as DJs learn to make our playlists work for our own flow? How do we learn to control the dancefloor without spending our booth time endlessly scrolling through hundreds (or thousands) of tracks? There may be no specific right answer here, but today we’ll discuss my special recipe: organizing your music by energy. By implementing the ideas presented here, you will have a better understanding of how to get people dancing, how to keep them interested, and even how to freestyle a set on the fly. This guide is designed to help DJs of any genre and experience level improve the way they organize and use their playlists. While each of these approaches do work, there is another way that incorporates these two ideas – and takes them a step further. Others will recommend making a separate playlist for each gig. Many folks will say that organizing by genre is the best way. As someone who’s been DJing for over 10 years, I’ve tried countless methods of arranging my music library. Whether you’re a seasoned DJ of many years or just getting into the craft, you’ve probably struggled with organizing playlists at some point in your career (I know I have).
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